I am delighted to welcome the multi-talented (and multi-published) Olga Swan to my blog this week.
Olga was featured in the November issue of Writers’ Forum, where, for the last twelve years I’ve had a column called Idea Store. In it, I ask writers the question they’re all said to dread: Where do you get your ideas from?
I love writing my column each month but nothing ever stays the same, least of all in the ever changing world of publishing, and my one page column has now been slimmed down to half a page, which means half the word count. I’m not complaining, as it means I still get to write my column, even if it is a new slimmed down version. Ever since I started writing for Writers’ Forum I have expected the editor to say “Time for a change. You’ve had a good run – and thanks, but no thanks” and every year, when the production schedule pings into my inbox I heave a sigh of relief as I hope it means I’m ‘safe’ for another year. (It doesn’t, of course, but that’s the way I think).
The first writer to feature on my new slimmed down page (I wish I could say that I have slimmed down to match!) is Olga Swan, who prepared her piece back when I still had a whole page for my column. So, her appearance in the November issue was little more than a name check, I’m afraid. (And no, I did not do the editing and yes, I have apologised to her.)
So this is now your chance to read her interview with me in all its fullness. It’s a fascinating and touching one and I hope you enjoy it.
Welcome to my blog, Olga. So, let’s get the big question out of the way first
Where do you get your ideas from?
To date I have written 10 books and my third non-fiction book, An Englishwoman in America, was released in both ebook and paperback on 11 June 2019. My writing career as a whole stems from the fact that I lost my parents and both siblings fifty years ago and, since then, I’ve been desperate to continue our (unusual) family name by writing under the nom de plume of Olga Swan (an anagram of my late brother’s name.)
An Englishwoman in America is a humorous look at how the British and the Americans view each other. The cover image gives a snapshot of what lies within. My inspiration for writing it dates back to when I was growing up in the 50s. I couldn’t understand why four of us (my mother, 2 brothers and myself) were all shy and introverted, yet my father was loud, extrovert and so large as life in everything he did. Eventually I understood. He’d lived a considerable time in America. Should I then follow his lead and move to America? Would that make me more outgoing? The book required lots of research:from immigration tomes to other works in the genre to personal holiday diaries and precious travel memoirs from my father to internet sources.
When people ask me about my typical writing day, I reply that I don’t really have one. I tend to do everything on the hoof. As soon as inspiration hits, I head out to our tiny conservatory, which has plenty of light- particularly from above which helps my SAD- wait an interminably long time for my laptop to get going and then start typing. My problem has always been that I write too quickly and too much, meaning there are lots of deletions to be made later! When deciding on the names for characters, it’s different for non-fiction, where so many names and places have to be correct to be a true account. When I finished writing An Englishwoman in America, I just changed the names of family members so they wouldn’t be cross with me!
As far as plotting is concerned, for An Englishwoman in America, I found it helped enormously to include a Contents page, with chapter headings and chronological years listed. In this way, I was forced to keep to the itemised structure. However, as far as the main ‘factional’ narrative was concerned, I just let it develop as I wrote. I do find, though, that having written both fiction and non-fiction, that I use different parts of my brain: the back of my head for the former, but the front for the more observational needs of non-fiction writing.
In general, the best part of the writing process is being accepted by a publisher and seeing the first sales graph rise like a phoenix from the ashes. The worst? Not being accepted by leading literary agents not because of the quality or otherwise of your submitted work, but because you don’t already fit today’s need for ‘celebrity’ status.
Now that An Englishwoman in America is out there and published, my feelings are immense. I hope that, at last, I have made my late family proud of me.
I’m sure they are! Your body of work is a great achievement and a wonderful tribute to them.So, tell us a little about your books, please.
First, many thanks Paula for welcoming me onto your esteemed blog.
An Englishwoman in America is non-fiction, but as with my two previous non-fiction books (Pensioners In Paradis and From Paradis to Perdition), it’s written in a readable, factional style. It comprises a combination of information about America, its people, origins and how their culture evolved and morphed from the mainly English styles that crossed the Atlantic in the time of the Pilgrim Fathers. It contains much humour as I contrast just how differently the British and Americans do and say things.
Hopefully it will be the forerunner of a series of An Englishwoman in…..
The Book’s blurb
From 1950s Britain to Donald Trump’s America, no-one is left unscathed. How are Britain and America divided over subjects such as language, culture, humour, health, sport, government, gun laws, religion, patriotism, and even sex? Find out in Olga Swan’s scintillating – but essentially humorous – account of why her love for America was first kindled, followed by her views on the way of life in diverse places such as New York, Florida, New England, Arizona or California. Lastly, Olga has added a hilarious guide, where her pin-point wit nails just how the Americans and the British do things very differently. Hold onto your hats!
What inspires you most? Characters? Settings? Books you have read?
When writing non-fiction I’m inspired by such writers as Simon Sebag Montefiore, with his wealth of knowledge and factual research. For non- fiction I always enjoyed books by such writers as Leon Uris with his ability to transport the reader to different times and exotic places.
How did you writing journey start?
The first novel I wrote was Lamplight (authl.it/4q0), an historical piece set in 1912 Birmingham, spanning 1920s New York through to 1938 Nazi Germany. My late brother Alan typed my first hand-written draft onto his portable typewriter.
That sounds fascinating – and a lovely link with your brother. What are your future plans?
It’s difficult to pinpoint how my career will progress exactly as I write in so many different genres, including a series for 9 – 15s, but I expect my next book will be the successor to An Englishwoman in America.
And finally, how about telling us something we might not know about you?
My writing career started far too late! I was born in the baby-boomer period which followed WWII, enduring rationing and a life without TV, telephone, car or even the NHS when I was born. But better late than never!
Thanks for a lovely interview, Olga. That was really great. And now for those all important links
Social Media Links, website etc.
I write a political and cultural affairs blog every Sunday, which attracts readers from all over the world: olgaswan.blogspot.com
The all important buy link.
An Englishwoman in America: mybook.to/anenglishwoman
For Olga’s other 9 books: go to Amazon, Olga Swan or to her blog site (above)
BA Hons (Open) in the Humanities, specialising in English language and literature.Â
Books by Olga Swan, published by Crooked Cat Books
An Englishwoman In America. mybook.to/anenglishwoman
Pensioners in Paradis. authl.it/86j
From Paradis to Perdition. authl.it/9v7
Books by Olga Swan, published by KDP
3rd Degree Murder. authl.it/b36
The Mazurek Express. mybook.to/themazurekexpress
Books by Gillian Green, published by lulu.com